Physical media is the only reliable long-term archive of cinema history. This series examines what streaming platforms have done to preservation, discovery, and the survival of films as cultural objects.
Why did studios stop making mid-budget films? DVD and home video sales created a financial safety net that allowed films to recoup costs slowly. Streaming's subscription model eliminated it, changing what gets made.
Netflix has thousands of films but recommendations feel limited. Why streaming algorithms concentrate attention rather than distributing it, and why Chris Anderson's long tail theory failed for streaming platforms.
When Warner Bros Discovery deleted Batgirl and removed Looney Tunes from HBO Max for tax write-offs, much became permanently inaccessible. Why streaming has ended accidental film preservation and what happens when platforms decide content isn't worth keeping.
Fight Club's ending was rewritten for China, Disney removed a slur from The French Connection, and streaming platforms can alter films silently. Why physical media remains the only immutable record of what directors actually made.